Tuesday, September 19, 2017

Lorraine Hansberry, Author of "A Raisin in the Sun"

*Playwright Lorraine Hansberry, the author of A Raisin in the Sun, was born in Chicago (May 19),

Lorraine Vivian Hansberry (b. May 19, 1930, Chicago, Illinois – d. January 12, 1965, New York City, New York) was an American playwright and writer. Hansberry inspired Nina Simone's song "To Be Young, Gifted and Black". 
She was the first black woman to write a play performed on Broadway. Her best known work, the play A Raisin in the Sun,  highlights the lives of African Americans living under racial segregation in Chicago. Hansberry's family had struggled against segregation, challenging a restrictive covenant and eventually provoking the Supreme Court case Hansberry v. Lee.  The title of her most famous play was taken from the poem "Harlem" by Langston Hughes: "What happens to a dream deferred? Does it dry up like a raisin in the sun?"
After she moved to New York City, Hansberry worked at the Pan-Africanist newspaper Freedom, where she dealt with intellectuals such as Paul Robeson and W. E. B. Du Bois.  Much of her work during this time concerned the African struggle for liberation and their impact on the world. Hansberry has been identified as a lesbian, and sexual freedom is an important topic in several of her works. She died of cancer at the age of 34.

Lorraine Hansberry was born in a comfortable, middle-class family in Chicago, and was educated at the University of Wisconsisn  and Roosevelt University.  She first appeared in print in Paul Robeson's Freedom, a monthly newspaper, during the early 1950's.  In 1959, A Raisin in the Sun, her first play, was produced on Broadway.  It was among the first full-length African American plays to be taken seriously by a European American audience.  
The success of A Raisin in the Sun catapulted Hansberry to an early fame.  She was expected to be a spokesperson for the African American poor, when in fact she was more attuned to the aspirations of the African American bourgeoisie.  Hansberry was very militant about integration and not supportive of black nationalist or separatist movements.
Lorraine Vivian Hansberry was the first black woman to write a play performed on Broadway. Her best known work, the play A Raisin in the Sun, highlights the lives of Black Americans living under racial segregation in Chicago. Hansberry's family had struggled against segregation, challenging a restrictive covenant and eventually provoking the Supreme Court case Hansberry v. Lee. The title of the play was taken from the poem "Harlem" by Langston Hughes: "What happens to a dream deferred? Does it dry up like a raisin in the sun?"
At the young age of 29, Hansberry won the New York's Drama Critic's Circle Award — making her the first black dramatist, the fifth woman, and the youngest playwright to do so.
After she moved to New York City, Hansberry worked at the Pan-Africanist newspaper Freedom, where she dealt with intellectuals such as Paul Robeson and W. E. B. DuBois. Much of her work during this time concerned the African struggle for liberation and their impact on the world. Hansberry has been identified as a lesbian, and sexual freedom is an important topic in several of her works. She died of cancer at the age of 34. Hansberry inspired Nina Simone's song "To Be Young, Gifted and Black".
Lorraine Hansberry was the youngest of four children born to Carl Augustus Hansberry, a successful real-estate broker, and Nannie Louise (born Perry) a driving school teacher and ward committeewoman. In 1938, her father bought a house in the Washington Park Subdivision of the South Side of Chicago, incurring the wrath of their white neighbors. The latter's legal efforts to force the Hansberry family out culminated in the United States Supreme Court's decision in Hansberry v. Lee. The restrictive covenant was ruled contestable, though not inherently invalid. Carl Hansberry was also a supporter of the Urban League and NAACP in Chicago. Both Hansberrys were active in the Chicago Republican Party. Carl died in 1946, when Lorraine was fifteen years old; "American racism helped kill him," she later said.
The Hansberrys were routinely visited by prominent Black intellectuals, including W. E. B. DuBois and Paul Robeson. Carl Hansberry's brother, William Leo Hansberry, founded the African Civilization section of the history department at Howard University. Lorraine was taught: ‘‘Above all, there were two things which were never to be betrayed: the family and the race.’’
Hansberry became the godmother to Nina Simone's daughter Lisa—now Simone.
Hansberry graduated from Betsy Ross Elementary in 1944 and from Englewood High School in 1948. She attended the University of Wisconsin-Madison, where she immediately became politically active and integrated a dormitory.
She worked on Henry A. Wallace's presidential campaign in 1948, despite her mother's disapproval. She spent the summer of 1949 in Mexico, studying painting at the University of Guadalajara.
She decided in 1950 to leave Madison and pursue her career as a writer in New York City, where she attended The New School. She moved to Harlem in 1951 and became involved in activist struggles such as the fight against evictions.
In 1951, she joined the staff of the black newspaper Freedom, edited by Louis E. Burnham and published by Paul Robeson.  At Freedom, she worked with W. E. B. Du Bois, whose office was in the same building, and other Black Pan-Africanists. At the newspaper, she worked as subscription clerk, receptionist, typist and editorial assistant in addition to writing news articles and editorials.
One of her first reports covered the Sojourners for Truth and Justice convened in Washington, D.C., by Mary Church Terrell.  She traveled to Georgia to cover the case of Willie McGee, and was inspired to write the poem "Lynchsong" about his case.
She worked not only on the United States civil rights movement, but also on global struggles against colonialism and imperialism. Hansberry wrote in support of the Mau Mau Uprising in Kenya, criticizing the mainstream press for its biased coverage.
Hansberry often clarified these global struggles by explaining them in terms of female participants. She was particularly interested in the situation of Egypt, "the traditional Islamic 'cradle of civilization,' where women had led one of the most important fights anywhere for the equality of their sex."
In 1952, Hansberry attended a peace conference in Montevideo, Uruguay, in place of Paul Robeson, who had been denied travel rights by the State Department.
On June 20, 1953, Hansberry married Robert Nemiroff, a Jewish publisher, songwriter and political activist. Hansberry and Nemiroff moved to Greenwich Village, the setting of The Sign in Sidney Brustein's Window.  Success of the song "Cindy, Oh Cindy", co-authored by Nemiroff, enabled Hansberry to start writing full-time. On the night before their wedding in 1953, Nemiroff and Hansberry protested the execution of Julius and Ethel Rosenberg in NYC.
It is widely believed that Hansberry was a closeted lesbian, a theory supported by her secret writings in letters and personal notebooks. She was an activist for gay rights and wrote about feminism and homophobia, joining the Daughters of Bilitis and contributing two letters to their magazine, The Ladder, in 1957 under her initials "LHN." She separated from her husband at this time, but they continued to work together.
A Raisin in the Sun was written at this time and completed in 1957.
Opening on March 11, 1959, A Raisin in the Sun became the first play written by an African American woman to be produced on Broadway.  The 29-year-old author became the youngest American playwright and only the fifth woman to receive the New York Drama Critics Circle Award for Best Play. Over the next two years, Raisin was translated into 35 languages and was being performed all over the world.
Hansberry wrote two screenplays of Raisin, both of which were rejected as controversial by Columbia Pictures. Commissioned by NBC in 1960 to create a television program about slavery, Hansberry wrote The Drinking Gourd. This script was also rejected.
In 1960, during Delta Sigma Theta's 26th national convention in Chicago, Hansberry was made an honorary member.
In 1961, Hansberry was set to replace Vinnette Carroll as the director of the musical Kicks and Co, after its try-out at Chicago's McCormick Place. It was written by Oscar Brown, Jr. and featured an interracial cast including Lonnie Sattin, Nichelle Nichols, Vi Velasco, Al Freeman, Jr., Zabeth Wilde and Burgess Meredith in the title role of Mr. Kicks. A satire involving miscegenation, the $400,000 production was co-produced by her husband Robert Nemiroff. Despite a warm reception in Chicago, the show never made it to Broadway.
In 1963, Hansberry participated in a meeting with Attorney General Robert F. Kennedy, set up by James Baldwin. 
Also in 1963, Hansberry was diagnosed with pancreatic cancer. She underwent two operations, on June 24 and August 2. Neither was successful in removing the cancer.
On March 10, 1964, Hansberry and Nemiroff divorced but continued to work together.
While many of her other writings were published in her lifetime—essays, articles, and the text for the SNCC book The Movement — the only other play given a contemporary production was The Sign in Sidney Brustein's Window. The Sign in Sidney Brustein's Window ran for 101 performances on Broadway and closed the night she died.
Hansberry was an atheist.
Hansberry believed that gaining civil rights in the United States and obtaining independence in colonial Africa were two sides of the same coin that presented similar challenges for Africans on both sides of the Atlantic. In response to the independence of Ghana, led by Kwame Nkrumah, Hansberry wrote: "The promise of the future of Ghana is that of all the colored peoples of the world; it is the promise of freedom."
Regarding tactics, Hansberry said Blacks "must concern themselves with every single means of struggle: legal, illegal, passive, active, violent and non-violent.... They must harass, debate, petition, give money to court struggles, sit-in, lie-down, strike, boycott, sing hymns, pray on steps—and shoot from their windows when the racists come cruising through their communities."
In a Town Hall debate on June 15, 1964, Hansberry criticized white liberals who could not accept civil disobedience, expressing a need "to encourage the white liberal to stop being a liberal and become an American radical." At the same time, she said, "some of the first people who have died so far in this struggle have been white men."
The Federal Bureau of Investigation began surveillance of Hansberry when she prepared to go to the Montevideo peace conference. The Washington, D.C. office searched her passport files "in an effort to obtain all available background material on the subject, any derogatory information contained therein, and a photograph and complete description," while officers in Milwaukee and Chicago examined her life history. Later, an FBI reviewer of Raisin in the Sun highlighted its Pan-Africanist themes as dangerous.
Hansberry, a heavy smoker her whole life, died of pancreatic cancer on January 12, 1965, aged 34. James Baldwin believed "it is not at all farfetched to suspect that what she saw contributed to the strain which killed her, for the effort to which Lorraine was dedicated is more than enough to kill a man."
Hansberry's funeral was held in Harlem on January 15, 1965. Paul Robeson and SNCC organizer James Forman gave eulogies. The presiding minister, Eugene Callender, recited messages from Baldwin and the Martin Luther King, Jr. which read: "Her creative ability and her profound grasp of the deep social issues confronting the world today will remain an inspiration to generations yet unborn." The 15th was also Dr. King's birthday. Hansberry was buried at Asbury United Methodist Church Cemetery in Croton-on-Hudson, New York. 
Hansberry's ex-husband, Robert Nemiroff, became the executor for several unfinished manuscripts. He added minor changes to complete the play Les Blancs, and he adapted many of her writings into the play To Be Young, Gifted and Black, which was the longest-running Off Broadway play of the 1968–69 season. It appeared in book form the following year under the title To Be Young, Gifted and Black: Lorraine Hansberry in Her Own Words. She left behind an unfinished novel and several other plays, including The Drinking Gourd and What Use Are Flowers?, with a range of content, from slavery to a post-apocalyptic future.
Raisin, a musical based on A Raisin in the Sun,  opened in New York in 1973, winning the Tony Award for Best Musical, with the book by Nemiroff, music by Judd Woldin, and lyrics by Robert Britten. A Raisin in the Sun was revived on Broadway in 2004 and received a Tony Award nomination for Best Revival of a Play. The cast included Sean Combs ("P Diddy") as Walter Lee Younger Jr., Phylicia Rashad (Tony Award-winner for Best Actress) and Audra McDonald (Tony Award-winner for Best Featured Actress).  It was produced for television in 2008 with the same cast, garnering two NAACP Image Awards.
Nina Simone first released a song about Hansberry in 1969 called "To Be Young, Gifted and Black".  The title of the song refers to the title of Hansberry's autobiography, which Hansberry first coined when speaking to the winners of a creative writing conference on May 1, 1964, "though it be a thrilling and marvelous thing to be merely young and gifted in such times, it is doubly so, doubly dynamic — to be young, gifted and black." Simone wrote the song with a poet named Weldon Irvine and told him that she wanted lyrics that would "make black children all over the world feel good about themselves forever." When Irvine read the lyrics after it was finished, he thought, "I didn't write this. God wrote it through me." In a recorded introduction to the song, Simone explained the difficulty of losing a close friend and talented artist.
Patricia and Frederick McKissack wrote a children's biography of Hansberry, Young, Black, and Determined, in 1998.
In 1999, Hansberry was posthumously inducted into the Chicago Gay and Lesbian Hall of Fame.
In 2002, scholar Molefi Kete Asante listed Hansberry as one of his 100 Greatest African Americans.
The Lorraine Hansberry Theatre of San Francisco, which specializes in original stagings and revivals of African-American theatre, is named in her honor. Singer and pianist Nina Simone,  who was a close friend of Hansberry, used the title of her unfinished play to write a civil rights-themed song "To Be Young, Gifted and Black" together with Weldon Irvine. The single reached the top 10 on the R&B charts. A studio recording by Simone was released as a single and the first live recording on October 26, 1969, was captured on Black Gold (1970).
In 2013 Hansberry was inducted into the Legacy Walk, an outdoor public display which celebrates LGBT history and people. 
In 2013, Lorraine Hansberry was posthumously inducted into the American Theatre Hall of Fame.

Monday, July 31, 2017

George Dureau, Mentor of Mapplethorpe

*George Dureau, an artist and photographer known for his photographs of young black men, was born in New Orleans, Louisiana.

George Dureau (b. December 28, 1930, New Orleans, Louisiana – d. April 7, 2014) was an American artist whose long career was most notable for charcoal sketches and black and white photography of poor white and black athletes, dwarfs, and amputees.  Robert Mapplethorpe is said to have been inspired by Dureau's amputee and dwarf photographs, which showed the figures as exposed and vulnerable, playful and needy, complex and entirely human individuals. His 1999 New Orleans Jazz Festival painting depicting Professor Longhair is widely regarded as the most impressive of all the Jazz Fest posters.
Dureau was born to Clara Rosella Legett Dureau and George Valentine Dureau in the Irish Channel, New Orleans, Louisiana. He was raised in Mid-City. He graduated with a fine arts degree from LSU in 1952, after which he began architectural studies at Tulane University.  He briefly served in the United States Army. Before being able to survive as an artist, he worked for Maison Blanche, a New Orleans department store, as a display designer. For the vast majority of his life, he lived in the French Quarter, where he was well known for his eccentricity and hospitality. His friend and student, Robert Mapplethorpe, re-staged many of his earlier black and white photographs. Dureau died of Alzheimer's disease.


Many of his pieces are held at the Ogden Museum of Southern Art.  Several of his works are displayed publicly throughout New Orleans, most notably, the pediment sculpture for Harrah's Casino and his cast-bronze sculptures stand sentinel at the entrance gates of  New Orleans City Park.  His depiction of a Mardi Gras parade dominates one wall in Gallier Hall.  One of his more popular set of works, "Black 1973-1986," a series of black and white photographs concentrating on young black men, toured throughout the United States to rave reviews.

Monday, June 12, 2017

Ian Buist, British Diplomat

John Latto Farquharson Buist CB, referred to as Ian Buist (30 May 1930 – 27 October 2012)[1] was a British diplomat who worked in Kenya and East Africa during the 1950s, as well as being a member of the British High Commission. From 1976 to 1990, Buist was an Under Secretary in the Foreign and Commonwealth Office's Overseas Development Administration.[2][3]
After his retirement, Buist responded to comments in the press regarding post-colonial Kenyan development.[4]

Personal background[edit]

Buist was born to Lieutenant-Colonel Thomas Powrie Buist RAMC, an Army doctor, and Christian Mary Buist, both from Dundee. In a 2008 interview with Malcolm McBain, Buist described his grandfather as "a brilliant mathematician, physician and obstetrician, but he subscribed to every rebel cause that he could. He was an early socialist, an atheist, a vegetarian, a eugenicist, and a promoter of Dundee's now heavily-used crematorium".[2]
Buist was a scholar of Winchester College. He was called up for national service, but his eyesight was too poor and he was rejected on medical grounds: instead he studied at New College, Oxford from 1948 to 1952 and got an congratulatory First in Classics.[2]
Buist was a campaigner for gay rights and joined the Campaign for Homosexual Equality (CHE) in 1972, which he saw as a less radical alternative to the Gay Liberation Front: Buist said their "idea of an anti-family, anti-Establishment social revolution seemed to me unlikely to produce change for the better".[2] Despite being gay, Buist passed the "positive vetting" or PV process used in the Civil Service following the change of the law on homosexuality in 1967. It took until 1991 for the government to remove the automatic bar on security clearance for LGBT people. Buist's work with the CHE is part of the Hall–Carpenter Archives at the London School of Economics.[5]
After his retirement, Buist wrote letters to The Guardian criticising the Church of England's attitudes to same-sex civil partnerships [6] and defending Peter Mandelson against homophobic attacks in the press following the events that led to Mandelson's resignation in January 2001.[7]

Wednesday, May 3, 2017

Sheila Abdus-Salaam, New York Judge

Photo
Judge Sheila Abdus-Salaam of New York State’s Court of Appeals in 2013. CreditMike Groll/Associated Press
The last time someone heard from Judge Sheila Abdus-Salaam apparently was on Tuesday when she called her chambers in the Graybar Building in Manhattan to say she wasn’t well and would not be coming in. At some point, she had left her apartment in Harlem, law enforcement officials said, departing without her wallet and cellphone, and locking the door behind her.
When Judge Abdus-Salaam — the first black woman to serve on New York State’s highest court — failed to appear at work on Wednesday, her assistant grew concerned and contacted her husband, who reported her missing, the law enforcement officials said. Then that afternoon, there was a terrible discovery: The judge’s body floating, fully clothed and with no apparent signs of trauma, in the Hudson River.
The unexpected death was shocking and saddening and even set off some suspicions among Judge Abdus-Salaam’s friends and colleagues, many of whom said she had given no indication that anyone — including herself — would want to do her harm.
In the hours after her body was found, the police said they were treating her death as a suicide. The judge, 65, had recently told friends and a doctor that she was suffering from stress. And tragedy had followed her closely: On Easter in 2012, her mother died at age 92. Two years later, around the same holiday, her brother shot himself to death, according to two law enforcement officials.
Continue reading the main story
But by Thursday afternoon, investigators had reached no clear conclusion, according to the officials, who spoke on the condition of anonymity because the investigation was continuing. The medical examiner’s office said that “the cause and manner of death were pending further studies”; police detectives were looking for surveillance video along her possible path to see if it revealed her movements, and whether or not it supported the theory that she had walked into the river.
When officers from the Police Department’s Harbor Unit pulled the judge’s body from the water near West 132nd Street on Wednesday afternoon, she was wearing a T-shirt, a sweater, sweatpants and sneakers, one of the officials said. She also wore a watch and had a MetroCard in her pocket.
“We’re all just shocked,” said Jonathan Lippman, a former chief judge of New York State who had served with her on the Court of Appeals. “No one has any idea what happened.”
Since 2013, Judge Abdus-Salaam had been one of seven judges on the high court. Before that, she served for about four years with the First Appellate Division of the State Supreme Court, and for 15 years as a State Supreme Court justice in Manhattan. She was previously a lawyer in the state attorney general’s office.
Judge Abdus-Salaam was known for her steadfast liberal voice, regularly siding with immigrants, the poor, and people with mental illnesses against established interests. She also leaned toward injured parties who brought claims of fraud or misconduct against wealthy corporations.
She was admired by her colleagues for her thoughtfulness, candor and finely crafted writing style. And she was not one to use her decisions as a soapbox even when they set precedents.
Judge Abdus-Salaam lived part time on 131st Street, on a block filled with brownstones that two or three decades ago was in dire straits. “My family was here during the Reagan crack era, and she was here when it was worse,” said Todd Milner, a 47-year-old filmmaker who has lived near the judge for more than 20 years. “That says a lot about her.”
Photo
Judge Abdus-Salaam in 2013 with Attorney General Eric H. Holder Jr., left, and Lt. Gov. Robert J. Duffy, far right, after she was sworn in by New York’s chief judge, Jonathan Lippman. CreditHans Pennink/Associated Press
“For someone who had the type of power she was entrusted with, she was so humble,” Mr. Milner said.
Sean Johnson, who does maintenance for buildings on the block, still carries with him a two-year-old note from Judge Abdus-Salaam saying, “Thanks for keeping my property clean.”
“It made me feel good that she cared,” Mr. Johnson, 50, said, adding that he had seen the judge last week and had noticed nothing wrong. “She was her normal self,” he said. “A very nice lady.”
Like Mr. Johnson, many of Judge Abdus-Salaam’s friends and colleagues said they could not believe that she had killed herself, and investigators have not produced a suicide note. Steve Younger, a lawyer who knew the judge for 15 years, said he spoke with her last week when he asked if she could give a speech to his bar association.
“She was totally upbeat, planning her summer vacation,” Mr. Younger recalled.
And yet, other close friends, like Marilyn Mobley, an official at Case Western Reserve University in Cleveland, said that Judge Abdus-Salaam had a heavy caseload and was in demand as a speaker and may have had trouble handling the pressure.
“What she shared with me is she had been under a lot of stress recently and that she was having trouble sleeping,” said Dr. Mobley, who saw her friend for breakfast in New York two weeks ago. “The truth is she was accomplished, resilient and strong, and she had a breaking point like everyone else. I fear it got there.”
Judge Abdus-Salaam was a cancer survivor, two officials said, but was not currently under treatment. She had visited her doctor on Monday, one official said, and told the physician that she had been “stressed with the demands of work” and “not spending enough time with her husband.”
Raised in Washington as one of seven children in a poor family, Judge Abdus-Salaam earned her law degree at Columbia University in 1977. She was married three times, most recently eight months ago to Gregory Jacobs, an Episcopal pastor. She divided her time between Albany and Harlem, though Mr. Jacobs kept a separate residence in Newark. (Her name led to confusion about whether or not she was Muslim. Gary Spencer, a spokesman for the Court of Appeals, said she had told him that she was not.)
After law school, Judge Abdus-Salaam became a public defender in Brooklyn and then served as an assistant attorney general in the Civil Rights Bureau of the state attorney general’s office. In one of her first cases, she won an anti-discrimination suit for more than 30 female New York City bus drivers who had been denied promotions.
Last summer, Judge Abdus-Salaam wrote an important decision, in the Matter of Brooke S.B. v. Elizabeth A.C.C., that expanded the definition of what it means to be a parent. For 25 years, the court had held that the nonbiological parent in a same-sex couple had no standing to seek custody or visitation rights after a breakup.
But that, Judge Abdus-Salaam wrote, had become “unworkable when applied to increasingly varied familial relationships.” In a tightly reasoned decision, she wrote that nonbiological parents did have standing to seek custody if they showed “by clear and convincing evidence that all parties agreed to conceive a child and to raise the child together.”
In an interview in 2014 about black history, Judge Abdus-Salaam said that she had become interested in her family’s history as a young girl in public school and that her research had led her to discover that her great-grandfather was a slave in Virginia.
“All the way from Arrington, Va., where my family was the property of someone else, to my sitting on the highest court of the State of New York is amazing and huge,” she said. “It tells you and me what it is to know who we are and what we can do.”

Tuesday, May 2, 2017

Alice Moore Dunbar-Nelson, Political Activist and Wife of Paul Laurence Dunbar

*Writer Alice Moore Dunbar-Nelson died in Philadelphia, Pennsylvania (September 18).

Alice Ruth Moore Dunbar Nelson (b. July 19, 1875, New Orleans, Louisiana – d. September 18, 1935, Philadelphia, Pennsylvania) was a poet, journalist and political activist. Among the first generation born free in the South after the Civil War, she was one of the prominent African Americans involved in the artistic flourishing of the Harlem Renaissance.  Her first husband was the poet Paul Laurence Dunbar.  She then married physician Henry A. Callis and was last married to Robert J. Nelson, a poet and civil rights activist.
Alice Ruth Moore was born in New Orleans, Louisiana, on July 19, 1875.  Her parents, Patricia Wright and Joseph Moore, were middle-class people of color and part of the traditional multi-racial Creole community of the city. At a time when fewer than one percent (1%) of Americans went to college, Moore graduated from Straight University (later merged into Dillard University) in 1892 and started work as a teacher in the public school system of New Orleans.
In 1895, her first collection of short stories and poems, Violets and Other Tales, was published by The Monthly Review. About that time, Moore moved to Boston and then New York City.  She co-founded and taught at the White Rose Mission (White Rose Home for Girls) in Manhattan's San Juan Hill neighborhood.  
Moore's writing and photo in a literary magazine captured the attention of the poet Paul Laurence Dunbar, and in 1898, after corresponding for two years, they married.  Moore ended up moving to Washington, D. C., to join him when they married in 1898. But the relationship proved stormy, exacerbated by Dunbar's alcoholism and depression. Dunbar was also reported to have been disturbed by Moore's lesbian affairs.  In 1902, after Dunbar beat Moore nearly to death, she left him, and moved to Delaware. Moore and Paul Dunbar separated but were never divorced.  Paul Dunbar died in 1906.
Alice Dunbar moved to Wilmington, Delaware, and taught at Howard High School for more than a decade.  During this period, she also taught summer sessions at State College for Colored Students (the predecessor of Delaware State University) and at the Hampton Institute.  In 1907, she took a leave of absence from her teaching position in Wilmington and enrolled as a student at Cornell University, returning to Wilmington in 1908. In 1910, she married Henry A. Callis,  a prominent physician and professor at Howard University,  but this marriage ended in divorce.
From 1913 to 1914, Dunbar was co-editor and writer for the A.M.E. Review, an influential church publication produced by the African Methodist Episcopal Church (AME Church). In 1916, she married the poet and civil rights activist Robert J. Nelson. She joined him in becoming active in politics in Wilmington and the region. They stayed together for the rest of their lives. From 1920, she co-edited the Wilmington Advocate, a progressive black newspaper. She also published The Dunbar Speaker and Entertainer, a literary anthology for a black audience.
Alice Dunbar Nelson was an activist for African American and women's rights, especially during the 1920s and 1930s. While she continued to write stories and poetry, she became more politically active in Wilmington, and put more effort into numerous articles and journalism on leading topics. In 1915, she was field organizer for the Middle Atlantic states for the woman's suffrage movement. In 1918, she was field representative for the Woman's Committee of the Council of Defense. In 1924, Dunbar-Nelson campaigned for the passage of the Dyer Anti-Lynching Bill,  but the Southern Democratic block in Congress defeated it.
From about 1920 on, Dunbar-Nelson made a commitment to journalism and was a highly successful columnist, with articles, essays and reviews appearing as well in newspapers, magazines, and academic journals.  She was a popular speaker and had an active schedule of lectures through these years. Her journalism career originally began with a rocky start. During the late 19th century, it was still unusual for women to work outside of the home, let alone an African-American woman, and the journalism business was a hostile, male-dominated field. In her diary, she spoke about the tribulations associated with the profession of journalism – "Damn bad luck I have with my pen. Some fate has decreed I shall never make money by it" (Diary 366). She discusses being denied pay for her articles and issues she had with receiving proper recognition for her work.
She moved from Delaware to Philadelphia in 1932, when her husband joined the Pennsylvania Athletic Commission. During this time, her health was in decline and she died from a heart ailment on September 18, 1935, at the age of sixty. She was cremated in Philadelphia.
She was made an honorary member of Delta Sigma Theta sorority. Her papers were collected by the University of Delaware.  

Her diary was published in 1984 and detailed her life during the years 1921 and 1926 to 1931 ("Alice Dunbar-Nelson"). As one of only two journals of 19th-century African-American women, Dunbar-Nelson's diary provided useful insight into the lives of black women during this time. It "summarizes her position in an era during which law and custom limited access, expectations, and opportunities for black women" ("Alice Dunbar-Nelson"). Her diary addressed issues such as family, friendship, sexuality, health, professional problems, travels, and often financial difficulties.