Tuesday, June 5, 2018

Kay Lahusen, First Openly Gay American Woman Photojournalist

Kay Lahusen (born January 5, 1930), also known as Kay Tobin Lahusen or Kay Tobin, is the first openly gay American woman photojournalist.[1] Lahusen's photographs of lesbians appeared on several of the covers of The Ladder from 1964 to 1966 while her partner, Barbara Gittings, was the editor. Lahusen helped with the founding of the original Gay Activists Alliance (GAA) in 1970, she contributed to a New York-based weekly newspaper named Gay Newsweekly, and co-authored The Gay Crusaders with Randy Wicker. She adopted the surname "Tobin"[when?] as a pseudonym for a period of time, but apparently never legally changed her name.
Katherine Lahusen was born to George H. and Katherine W. Lahusen in 1930, and brought up in Cincinnati, Ohio. She developed her interest in photography as a child. "Even as a kid I liked using a little box camera and pushing it and trying to get something artsy out of it", she recalled.[2] She discovered while in college that she had romantic feelings for a woman and she had a relationship with her for six years, but after the woman left "in order to marry and have a normal life", Lahusen was devastated by the loss.[2]
.Lahusen spent the next six years in Boston working in the reference library of The Christian Science Monitor. She met Barbara Brooks Gittings in 1961 at a Daughters of Bilitis picnic in Rhode Island. They became a couple and Lahusen moved to Philadelphia to be with Gittings. When Gittings took over The Ladder in 1963, Lahusen made it a priority to improve the quality of art on the covers. Where previously there were simple line drawings, characterized by Lahusen as "pretty bland, little cats, insipid human figures,"[2] Lahusen began to add photographs of real lesbians on the cover beginning in September 1964. The first showed two women from the back, on a beach looking out to sea. But Lahusen really wanted to add full-face portraits of lesbians. "If you go around as if you don't dare show your face, it sends forth a terrible message", Lahusen remembered.[1]
Several covers showed various women willing to pose in profile, or in sunglasses, but in January 1966 she was finally able to get a full-face portrait. Lilli Vincenz, open and smiling, adorned the cover of The Ladder. By the end of Gittings' period as editor, Lahusen remembered there was a waiting list of women who wanted to be full-face on the cover of the magazine.[2] She wrote articles in The Ladder under the name Kay Tobin, a name she picked out of the phone book, and which she found was easier for people to pronounce and remember.[citation needed]
Lahusen photographed Gittings and other people who picketed federal buildings and Independence Hall in the mid to late 1960s. She contributed photographs and articles to a Manhattan newspaper called Gay Newsweekly, and worked in New York City's Oscar Wilde Memorial Bookstore, the first bookstore devoted to better literature on gay themes, and to disseminating materials that promoted a gay political agenda. She worked with Gittings in the gay caucus of the American Library Association, and photographed thousands of activists, marches, and events in the 1960s and 1970s. Frank Kameny and Jack Nichols and many other gay activists became her subjects.[citation needed]
In the 1980s Lahusen became involved in real estate, and placed ads in gay papers. She also organized agents to get them to march in New York City's Gay Pride Parade. More recently, her photographs have been featured in exhibits at The William Way Community Center in Philadelphia and the Wilmington Institute Library in Delaware. In 2007, all of Lahusen's photos and writings and Gittings' papers and writings were donated to the New York Public Library.[3] Lahusen and Gittings were together for 46 years when Gittings died of breast cancer on February 18, 2007, aged 74. Lahusen was working on collecting her photographs for a photography scrapbook on the history of the gay rights movement when Gittings' illness put the plans on hold. Lahusen currently resides in Kennett Square, Pennsylvania in an assisted living facility.
A plot of land at the Congressional Cemetery in Washington, D.C. has been allotted to Lahusen next to the burial place of Gittings.[4]

Monday, March 12, 2018

Majken Johansson, Swedish Poet and Salvation Army Soldier

Majken Johansson (August 7, 1930, Malmö – December 11, 1993) was a Swedish poetwriter and a Salvation Army soldier.
Majken Johansson was born out of wedlock in Malmö, and spent her childhood in foster care with an abusive foster mother. At the age of 9, she was evacuated from Malmö at the outbreak of World War II and lived with relatives in Småland. Despite her difficult childhood she went through school with good grades and managed to get in at the prestigious Lund University, where she graduated. During her tenage and university years she also suffered from alcoholism. In 1956, after a stormy relationship with another woman, which ended with the woman committing suicide, Majken Johansson suffered a life crisis which would lead to her decision to join the Swedish section of the Salvation Army in 1958.
She began to write in the early 1950s, both socially debating articles in newspapers, and poetry. Her first volume of poetry was the critically acclaimed Buskteater in 1952. She published 8 volumes of poetry between 1952 and 1989. Her poems are not only concerned with life, love and God, but also on everyday reflections in a very simple and keen way, often with a lot of humor.
Her life partner was the Salvation Army officer and hymn writer Karin Hartman, who in 2002 published Bottenglädjen, a book about Majken Johansson's life.
In recent years Johansson's poetry has been published in new editions and gained a generation of new readers. She is today regarded as one of Sweden's greatest poets of the mid-20th century, alongside names such as Hjalmar Gullberg and Werner Aspenström. In 1970 she was awarded the Large Prize by Samfundet De Nio.[1] She was also awarded a literary prize by the magazine Vi in 1958, the Sveriges Radios poetry award in 1965, the Deverthska kulturstiftelsens Forsethpris in 1972, and the Sydsvenska Dagbladets kulturpris in 1975.

Monday, March 5, 2018

Daniela Vega, Transgender Star of "A Fantastic Woman"

Daniela Vega

From Wikipedia, the free encyclopedia
Daniela Vega
A head shot of Vega while she looks at camera
Vega at the Berlin International Film Festival in 2017
BornJune 3, 1989 (age 28)
San MiguelSantiagoChile
Other namesDani Vega
Occupation
Years active2011–present
Daniela Vega Hernández (born June 3, 1989), known as Daniela Vega (Spanish pronunciation: [daˈnjela ˈβeɣa]) is a Chilean actress and lyrical singer. Vega received critical acclaim for her acting debut in Sebastián Lelio's Oscar-winning film A Fantastic Woman.[1][2]

Early life[edit]

Daniela Vega Hernández was born on June 3, 1989 in San MiguelSantiago, to Igor Vega, a print owner, and Sandra Hernández, a housewife.[3] After a while, the family moved to Ñuñoa, where her brother, Nicolás, was born.[3] At the age of eight, one of her teachers discovered her talent for singing opera.[3][4] She began to play in small productions in Santiago, that developed in itself a taste for the arts.[3] In her free time and without any other formal education, she got involved with the local acting environment.[3]

Career[edit]

Early roles and breakthrough (2011–2017)[edit]

Eventually, Vega met a writer and director who suggested that they collaborate on a stage piece about her experience of transitioning.[5] This resulted in her career debut in 2011 in the play La mujer Mariposa (The Butterfly Woman), a biodrama of transfiguration by director Martin de la Parra. This piece, where she also had the opportunity to sing, ran for eight years in Santiago. During this time, she participated in more pieces, most notably in Migrante(Migrant), a piece about migration.[6][7] Vega gained notoriety when she appeared in the video clip of the famous song "Maria" by Manuel García in 2014. She made her screen debut in 2015 in a drama called La Visita (The Guest), playing a trans woman at her father’s wake.[8][5]
The 67th Berlin International Film Festival saw the release of A Fantastic Woman (2017), directed by Sebastián Lelio, a film for which her performance was acclaimed by critics.[9][1] A Fantastic Woman tells the story of Marina (played by Vega) and Orlando (played by Francisco Reyes), an older man with whom she is in love and planning a future. After Orlando falls ill and dies, Marina is forced to face family and society, and fight again to show who she is: a fantastic woman.[10] Critic Guy Lodge in a review for Varietypraising Vega's performance said: "Vega's tough, expressive, and subtly distressed performance deserves far more than political praise." He continued to note that "It’s a multi-layered, emotionally polymorphous feat of acting, nurtured with pitch-perfect sensitivity by her director, who maintains complete candor on Marina’s condition without pushing her anywhere she wouldn’t herself go."[11]Her name was strongly mentioned for an Oscar nomination as Best Actress.[12][13][14] She won an award for her performance at the Palm Springs International Film Festival for Best Actress in a Foreign Language Film.[15] Vega became the first openly transgender person in history to be a presenter at the 90th Academy Awards in 2018.[16][17]

Tuesday, January 2, 2018

Laud Humphreys, Sociologist Who Researched Gay Sexual Encounters

Robert Allen "Laud" Humphreys (October 16, 1930 – August 23, 1988) was an American sociologist and author. He is noted for his research into sexual encounters between men in public toilets, published as Tearoom Trade (1970).

Biography[edit]

Robert Allen Humphreys was born in Chickasha, Oklahoma, to Ira Denver Humphreys and Stella Bernice Humphreys.5 "Laud" was chosen as his first name when he was baptized again upon entering the Episcopal Church. He graduated from the Seabury-Western Episcopal Theological Seminary in 1955, and served as an Episcopal priest. He earned his Ph.D from Washington University in St. Louis in 1968.[1] Due to the perceived dishonesty of his research methods, there was a failed attempt by some faculty members at Washington University to rescind his PhD.[2] He served as professor of sociology at Pitzer College in Claremont, California from 1972–1988 and died of lung cancer in 1988.
Humphreys was married to a woman from 1960 to 1980 and eventually came out as a gay man.[3] Humphreys was a founder of the Sociologists' Gay Caucus, established in 1974.[4]
His biography was published in 2004, under the title Laud Humphreys: Prophet of Homosexuality and Sociology.[5]

Tearoom Trade[edit]

Humphreys is best known for his published Ph.D. dissertationTearoom Trade (1970), an ethnographic study of anonymous male-male sexual encounters in public toilets (a practice known as "tea-rooming" in U.S. gay slang and "cottaging" in British English). Humphreys asserted that the men participating in such activity came from diverse social backgrounds, had differing personal motives for seeking homosexual contact in such venues, and variously self-perceived as "straight," "bisexual," or "gay."
Because Humphreys was able to confirm that over 50% of his subjects were outwardly heterosexual men with unsuspecting wives at home, a primary thesis of Tearoom Trade is the incongruence between the private self and the social self for many of the men engaging in this form of homosexual activity. Specifically, they put on a "breastplate of righteousness" (social and political conservatism) in an effort to conceal their deviant behavior and prevent being exposed as deviants. Humphreys tapped into a theme of incongruence between one's words and deeds that has become a primary methodological and theoretical concern in sociology throughout the 20th and 21st centuries.[6]
Humphreys' study has been criticized by sociologists on ethical grounds in that he observed acts of homosexuality by masquerading as a voyeur, "did not get his subjects’ consent, tracked down names and addresses through license plate numbers and interviewed the men in their homes in disguise and under false pretenses."[7]
Still, according to Jack Nusan Porter, a sociologist who knew Humphreys and studied under Howard S. Becker at Northwestern University from 1967-1971: "Humphreys was enormously influential on graduate students and younger scholars in the field of deviance, ethnography, and what we called 'participant observation'. True, today one could not do such research because there was no 'informed consent' but then again, in many cases, when doing research on deviant behavior, one will never get 'informed consent' so we miss out on a lot of important findings. He was a true pioneer and a hero to all of us in these fields."
Humphreys' research materials, including detailed diagrams and maps of tearoom activity he observed, are housed in the collections at ONE National Gay & Lesbian Archives.