Tuesday, May 17, 2022

A00041 - Urvashi Vaid, Pioneering LGBT Activist

 

Urvashi Vaid, Pioneering L.G.B.T.Q. Activist, Is Dead at 63

Over a four-decade career, she profoundly shaped a range of progressive issues, including AIDS advocacy, prison reform and gay rights.

Urvashi Vaid in an undated photo. She placed herself at the center of a wide array of progressive issues, centered on but not limited to the L.G.B.T.Q. rights movement.
Credit...Jurek Wajdowicz
Urvashi Vaid in an undated photo. She placed herself at the center of a wide array of progressive issues, centered on but not limited to the L.G.B.T.Q. rights movement.

Urvashi Vaid, a lawyer and activist who was a leading figure in the fight for L.G.B.T.Q. equality for more than four decades, died on Saturday in Manhattan. She was 63.

Her sisters, Rachna Vaid and Jyotsna Vaid, said the cause was breast cancer.

From her days as a law student in Boston, Ms. Vaid was at the center of a wide array of progressive issues, centered on but not limited to the L.G.B.T.Q. rights movement. Long before the word “intersectionality” entered common parlance, she was practicing it, insisting that freedom for gay men and lesbians required fighting for gender, racial and economic equality as well.

“A purely single-issue organizing approach prevents us from making the connections that would advance our goals and would advance the project of building a progressive movement,” she told the magazine The Progressive in 1996.

At the height of the AIDS crisis, in the late 1980s and early ’90s, she led the National Gay and Lesbian Task Force (now the National L.G.B.T.Q. Task Force). That platform made her one of the most vocal and visible figures in the push for AIDS funding and against federally enshrined anti-L.G.B.T.Q. discrimination.

She was the rare activist who was as comfortable within the confines of pragmatic electoral politics as she was marching in the streets. She was ejected in 1990 from a speech on gay rights by President George Bush for holding a sign that read, “Talk Is Cheap, AIDS Funding Is Not.” But two years later she broke with other progressive activists to support Bill Clinton for president.

Image
Ms. Vaid argued that the movement for L.G.B.T.Q. rights had erred by focusing on access to the mainstream, rather than on gaining power to change it.
Credit...Courtesy of the National LGBTQ Task Force
Ms. Vaid argued that the movement for L.G.B.T.Q. rights had erred by focusing on access to the mainstream, rather than on gaining power to change it.

“She wasn’t a zealot,” the playwright Tony Kushner, a friend of Ms. Vaid, said in a phone interview. “She understood the perfect could not be the enemy of the good, and that progress was made in steps.”

But her fondness for President Clinton was short-lived. After he backtracked on his promise to end the military’s ban on openly gay service members and, later, signed the Defense of Marriage Act, which codified marriage as being between a man and a woman, she considered not voting for his re-election.

She ended up backing him, reluctantly, but she turned her disillusionment into a teachable moment for progressives. She left the task force in 1992 to write a book, “Virtual Equality: The Mainstreaming of Gay and Lesbian Liberation” (1995).

Ms. Vaid argued, in that book and elsewhere, that the movement had erred by focusing on access to the mainstream, rather than on gaining power to change it. It wasn’t enough to be in the room with Mr. Clinton, she said; the movement had to be able to change his mind.

She also drew a distinction between L.G.B.T.Q. rights and L.G.B.T.Q. liberation. Pushing the mainstream to accept gay men and lesbians, she said, was a worthy first step, but one that risked forcing people to tailor their own identities to fit into straight society.

Liberation, on the other hand, meant altering the mainstream to accommodate a range of gender identities — a seemingly extreme position at the time, but one that accurately foreshadowed the rapid and broad changes now underway around established gender norms.

“She put the gay rights movement in a progressive context that no one else can lay claim to,” Rachel Maddow, the MSNBC anchor and a close friend of Ms. Vaid’s, said in a phone interview. “She really had a singular impact as an individual. She changed the AIDS movement, gay rights and the civil rights movement in ways directly attributable to her.”

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Ms. Vaid was ejected for protesting at a 1990 speech on gay rights by President George Bush.
Credit...National LGBTQ Task Force
Ms. Vaid was ejected for protesting at a 1990 speech on gay rights by President George Bush.

Urvashi Vaid (pronounced UR-va-shee VAD) was born on Oct. 8, 1958, in New Delhi, India. When she was still a child, her father, the writer Krishna Baldev Vaid, received an appointment to teach at the State University of New York at Potsdam, and Urvashi soon followed with her sisters and her mother, Champa (Bali) Vaid, a poet and painter.

All three Vaid sisters attended Vassar College, from which Urvashi graduated in 1979 with a degree in political science and English literature.

Along with her sisters, Ms. Vaid, who lived in Manhattan and died at Memorial Sloan Kettering Cancer Center, is survived by her partner, the comedian Kate Clinton. She is the aunt to Alok Vaid-Menon, a gender-nonconforming performing artist.

Though Ms. Vaid said her earliest memories of political activism were of antiwar protests in the late 1960s, it was in college that she found her voice. She was especially drawn to liberation movements in the developing world, and she joined other students in pushing Vassar to divest from South Africa.

“My understanding of liberation did not come from the feminist and gay activists with whom I worked, but rather from movements working to end colonial occupation and white supremacy,” she wrote on the website OpenDemocracy in 2014. “The African National Congress, who defined themselves as ‘a national liberation movement,’ were my heroes.”

She attended law school at Northeastern University, continuing her activism on campus and in Boston. She and an alliance of gay and lesbian students persuaded the university to add sexual identity to its nondiscrimination policy, and she worked off campus at Gay Community News, a weekly newspaper.

The paper served as a crucible for Ms. Vaid’s political worldview: Staunchly progressive, it took on a wide swath of issues, including prisoner rights, feminism, antiracism and economic inequality. And it was among the first news outlets to publicize the growing prevalence of H.I.V. in the gay community, and to highlight the homophobia that was swelling around it.

“She was a revelation to me,” said Sue Hyde, whom Ms. Vaid hired as an editor at Gay City News and who, with Ms. Vaid, founded the L.G.B.T.Q. Task Force’s annual Creating Change conference. “She was a revelation the way she thought, the way she organized, the way she envisioned a movement that really had never existed.”

After graduating from law school in 1983, Ms. Vaid moved to Washington to work as a staff lawyer for the National Prison Project, an initiative by the American Civil Liberties Union that she helped expand to include advocacy for incarcerated people with H.I.V. and AIDS.

She became a spokeswoman for the National Gay and Lesbian Task Force in 1987 and its director in 1989.

She later worked at the Ford Foundation; served as executive director of the charitable Arcus Foundation; and led a research center at Columbia Law School before establishing her own nonprofit consulting firm. She also founded LPAC, a political action committee that supports political candidates who, in its words, “share our commitment to L.G.B.T.Q. and women’s equality, and social justice.”

And she continued to organize, whether it was a national political campaign or a weekend march down Commercial Street in Provincetown, Mass., where she lived part time with Ms. Clinton.

“If I ever had a question, I’d call Urvashi and she could explain it,” Billie Jean King, the tennis player and activist, said in a phone interview. “She knew every policy that was going on, on every issue.”

In one of her last public appearances, to accept the Susan J. Hyde Award for “longevity in the movement” at the Creating Change conference in March, Ms. Vaid warned that the decades of progress she had experienced were now under threat.

“We are facing an existential threat to our existence,” she said. “Our response must be strong, militant and much more aggressive than it has been thus far.”

Tuesday, June 5, 2018

A00040 - Kay Lahusen, First Openly Gay American Woman Photojournalist

Kay Lahusen (born January 5, 1930), also known as Kay Tobin Lahusen or Kay Tobin, is the first openly gay American woman photojournalist.[1] Lahusen's photographs of lesbians appeared on several of the covers of The Ladder from 1964 to 1966 while her partner, Barbara Gittings, was the editor. Lahusen helped with the founding of the original Gay Activists Alliance (GAA) in 1970, she contributed to a New York-based weekly newspaper named Gay Newsweekly, and co-authored The Gay Crusaders with Randy Wicker. She adopted the surname "Tobin"[when?] as a pseudonym for a period of time, but apparently never legally changed her name.
Katherine Lahusen was born to George H. and Katherine W. Lahusen in 1930, and brought up in Cincinnati, Ohio. She developed her interest in photography as a child. "Even as a kid I liked using a little box camera and pushing it and trying to get something artsy out of it", she recalled.[2] She discovered while in college that she had romantic feelings for a woman and she had a relationship with her for six years, but after the woman left "in order to marry and have a normal life", Lahusen was devastated by the loss.[2]
.Lahusen spent the next six years in Boston working in the reference library of The Christian Science Monitor. She met Barbara Brooks Gittings in 1961 at a Daughters of Bilitis picnic in Rhode Island. They became a couple and Lahusen moved to Philadelphia to be with Gittings. When Gittings took over The Ladder in 1963, Lahusen made it a priority to improve the quality of art on the covers. Where previously there were simple line drawings, characterized by Lahusen as "pretty bland, little cats, insipid human figures,"[2] Lahusen began to add photographs of real lesbians on the cover beginning in September 1964. The first showed two women from the back, on a beach looking out to sea. But Lahusen really wanted to add full-face portraits of lesbians. "If you go around as if you don't dare show your face, it sends forth a terrible message", Lahusen remembered.[1]
Several covers showed various women willing to pose in profile, or in sunglasses, but in January 1966 she was finally able to get a full-face portrait. Lilli Vincenz, open and smiling, adorned the cover of The Ladder. By the end of Gittings' period as editor, Lahusen remembered there was a waiting list of women who wanted to be full-face on the cover of the magazine.[2] She wrote articles in The Ladder under the name Kay Tobin, a name she picked out of the phone book, and which she found was easier for people to pronounce and remember.[citation needed]
Lahusen photographed Gittings and other people who picketed federal buildings and Independence Hall in the mid to late 1960s. She contributed photographs and articles to a Manhattan newspaper called Gay Newsweekly, and worked in New York City's Oscar Wilde Memorial Bookstore, the first bookstore devoted to better literature on gay themes, and to disseminating materials that promoted a gay political agenda. She worked with Gittings in the gay caucus of the American Library Association, and photographed thousands of activists, marches, and events in the 1960s and 1970s. Frank Kameny and Jack Nichols and many other gay activists became her subjects.[citation needed]
In the 1980s Lahusen became involved in real estate, and placed ads in gay papers. She also organized agents to get them to march in New York City's Gay Pride Parade. More recently, her photographs have been featured in exhibits at The William Way Community Center in Philadelphia and the Wilmington Institute Library in Delaware. In 2007, all of Lahusen's photos and writings and Gittings' papers and writings were donated to the New York Public Library.[3] Lahusen and Gittings were together for 46 years when Gittings died of breast cancer on February 18, 2007, aged 74. Lahusen was working on collecting her photographs for a photography scrapbook on the history of the gay rights movement when Gittings' illness put the plans on hold. Lahusen currently resides in Kennett Square, Pennsylvania in an assisted living facility.
A plot of land at the Congressional Cemetery in Washington, D.C. has been allotted to Lahusen next to the burial place of Gittings.[4]

Monday, March 12, 2018

A00039 - Majken Johansson, Swedish Poet and Salvation Army Soldier

Majken Johansson (August 7, 1930, Malmö – December 11, 1993) was a Swedish poetwriter and a Salvation Army soldier.
Majken Johansson was born out of wedlock in Malmö, and spent her childhood in foster care with an abusive foster mother. At the age of 9, she was evacuated from Malmö at the outbreak of World War II and lived with relatives in Småland. Despite her difficult childhood she went through school with good grades and managed to get in at the prestigious Lund University, where she graduated. During her tenage and university years she also suffered from alcoholism. In 1956, after a stormy relationship with another woman, which ended with the woman committing suicide, Majken Johansson suffered a life crisis which would lead to her decision to join the Swedish section of the Salvation Army in 1958.
She began to write in the early 1950s, both socially debating articles in newspapers, and poetry. Her first volume of poetry was the critically acclaimed Buskteater in 1952. She published 8 volumes of poetry between 1952 and 1989. Her poems are not only concerned with life, love and God, but also on everyday reflections in a very simple and keen way, often with a lot of humor.
Her life partner was the Salvation Army officer and hymn writer Karin Hartman, who in 2002 published Bottenglädjen, a book about Majken Johansson's life.
In recent years Johansson's poetry has been published in new editions and gained a generation of new readers. She is today regarded as one of Sweden's greatest poets of the mid-20th century, alongside names such as Hjalmar Gullberg and Werner Aspenström. In 1970 she was awarded the Large Prize by Samfundet De Nio.[1] She was also awarded a literary prize by the magazine Vi in 1958, the Sveriges Radios poetry award in 1965, the Deverthska kulturstiftelsens Forsethpris in 1972, and the Sydsvenska Dagbladets kulturpris in 1975.

Monday, March 5, 2018

A00038 - Daniela Vega, Transgender Star of "A Fantastic Woman"

Daniela Vega

From Wikipedia, the free encyclopedia
Daniela Vega
A head shot of Vega while she looks at camera
Vega at the Berlin International Film Festival in 2017
BornJune 3, 1989 (age 28)
San MiguelSantiagoChile
Other namesDani Vega
Occupation
Years active2011–present
Daniela Vega Hernández (born June 3, 1989), known as Daniela Vega (Spanish pronunciation: [daˈnjela ˈβeɣa]) is a Chilean actress and lyrical singer. Vega received critical acclaim for her acting debut in Sebastián Lelio's Oscar-winning film A Fantastic Woman.[1][2]

Early life[edit]

Daniela Vega Hernández was born on June 3, 1989 in San MiguelSantiago, to Igor Vega, a print owner, and Sandra Hernández, a housewife.[3] After a while, the family moved to Ñuñoa, where her brother, Nicolás, was born.[3] At the age of eight, one of her teachers discovered her talent for singing opera.[3][4] She began to play in small productions in Santiago, that developed in itself a taste for the arts.[3] In her free time and without any other formal education, she got involved with the local acting environment.[3]

Career[edit]

Early roles and breakthrough (2011–2017)[edit]

Eventually, Vega met a writer and director who suggested that they collaborate on a stage piece about her experience of transitioning.[5] This resulted in her career debut in 2011 in the play La mujer Mariposa (The Butterfly Woman), a biodrama of transfiguration by director Martin de la Parra. This piece, where she also had the opportunity to sing, ran for eight years in Santiago. During this time, she participated in more pieces, most notably in Migrante(Migrant), a piece about migration.[6][7] Vega gained notoriety when she appeared in the video clip of the famous song "Maria" by Manuel García in 2014. She made her screen debut in 2015 in a drama called La Visita (The Guest), playing a trans woman at her father’s wake.[8][5]
The 67th Berlin International Film Festival saw the release of A Fantastic Woman (2017), directed by Sebastián Lelio, a film for which her performance was acclaimed by critics.[9][1] A Fantastic Woman tells the story of Marina (played by Vega) and Orlando (played by Francisco Reyes), an older man with whom she is in love and planning a future. After Orlando falls ill and dies, Marina is forced to face family and society, and fight again to show who she is: a fantastic woman.[10] Critic Guy Lodge in a review for Varietypraising Vega's performance said: "Vega's tough, expressive, and subtly distressed performance deserves far more than political praise." He continued to note that "It’s a multi-layered, emotionally polymorphous feat of acting, nurtured with pitch-perfect sensitivity by her director, who maintains complete candor on Marina’s condition without pushing her anywhere she wouldn’t herself go."[11]Her name was strongly mentioned for an Oscar nomination as Best Actress.[12][13][14] She won an award for her performance at the Palm Springs International Film Festival for Best Actress in a Foreign Language Film.[15] Vega became the first openly transgender person in history to be a presenter at the 90th Academy Awards in 2018.[16][17]

Tuesday, January 2, 2018

A00037 - Laud Humphreys, Sociologist Who Researched Gay Sexual Encounters

Robert Allen "Laud" Humphreys (October 16, 1930 – August 23, 1988) was an American sociologist and author. He is noted for his research into sexual encounters between men in public toilets, published as Tearoom Trade (1970).

Biography[edit]

Robert Allen Humphreys was born in Chickasha, Oklahoma, to Ira Denver Humphreys and Stella Bernice Humphreys.5 "Laud" was chosen as his first name when he was baptized again upon entering the Episcopal Church. He graduated from the Seabury-Western Episcopal Theological Seminary in 1955, and served as an Episcopal priest. He earned his Ph.D from Washington University in St. Louis in 1968.[1] Due to the perceived dishonesty of his research methods, there was a failed attempt by some faculty members at Washington University to rescind his PhD.[2] He served as professor of sociology at Pitzer College in Claremont, California from 1972–1988 and died of lung cancer in 1988.
Humphreys was married to a woman from 1960 to 1980 and eventually came out as a gay man.[3] Humphreys was a founder of the Sociologists' Gay Caucus, established in 1974.[4]
His biography was published in 2004, under the title Laud Humphreys: Prophet of Homosexuality and Sociology.[5]

Tearoom Trade[edit]

Humphreys is best known for his published Ph.D. dissertationTearoom Trade (1970), an ethnographic study of anonymous male-male sexual encounters in public toilets (a practice known as "tea-rooming" in U.S. gay slang and "cottaging" in British English). Humphreys asserted that the men participating in such activity came from diverse social backgrounds, had differing personal motives for seeking homosexual contact in such venues, and variously self-perceived as "straight," "bisexual," or "gay."
Because Humphreys was able to confirm that over 50% of his subjects were outwardly heterosexual men with unsuspecting wives at home, a primary thesis of Tearoom Trade is the incongruence between the private self and the social self for many of the men engaging in this form of homosexual activity. Specifically, they put on a "breastplate of righteousness" (social and political conservatism) in an effort to conceal their deviant behavior and prevent being exposed as deviants. Humphreys tapped into a theme of incongruence between one's words and deeds that has become a primary methodological and theoretical concern in sociology throughout the 20th and 21st centuries.[6]
Humphreys' study has been criticized by sociologists on ethical grounds in that he observed acts of homosexuality by masquerading as a voyeur, "did not get his subjects’ consent, tracked down names and addresses through license plate numbers and interviewed the men in their homes in disguise and under false pretenses."[7]
Still, according to Jack Nusan Porter, a sociologist who knew Humphreys and studied under Howard S. Becker at Northwestern University from 1967-1971: "Humphreys was enormously influential on graduate students and younger scholars in the field of deviance, ethnography, and what we called 'participant observation'. True, today one could not do such research because there was no 'informed consent' but then again, in many cases, when doing research on deviant behavior, one will never get 'informed consent' so we miss out on a lot of important findings. He was a true pioneer and a hero to all of us in these fields."
Humphreys' research materials, including detailed diagrams and maps of tearoom activity he observed, are housed in the collections at ONE National Gay & Lesbian Archives.